Check nearby libraries
Buy this book
![Loading indicator](/images/ajax-loader-bar.gif)
This edition doesn't have a description yet. Can you add one?
Check nearby libraries
Buy this book
![Loading indicator](/images/ajax-loader-bar.gif)
Subjects
American Sculpture, Exhibitions, Ghosts in art, Women sculptorsPeople
Patricia Cronin (1963-)Places
MassachusettsTimes
21st centuryEdition | Availability |
---|---|
1
Patricia Cronin: le macchine, gli Dei e i fantasmi = machines, gods and ghosts
2013, Silvana Editoriale Spa
in Italian
8836627706 9788836627707
|
aaaa
Libraries near you:
WorldCat
|
Book Details
Edition Notes
Italian and English.
Published in conjunction with the exhibition held in Rome's Centrale Montemartini from October 9 to November 20, 2013.
"Machines, Gods and Ghosts is an exhibition by the American artist Patricia Cronin conceived specially for the Engine Room of Rome's Centrale Montemartini. Summoning phantoms of her own, the artist expands upon the already spectral dialogue between the classical sculptures on view and the industrial archaeology of the exhibition space. The exhibition presents six works by the artist consisting of watercolor images printed on lightweight silk panels, which move and flutter in the space's gently circulating air. Ghost-like, the images conjure the lost sculptures of the American Neoclassical artist Harriet Hosmer, (1830-1908), whose best known extant monuments include the Tomb of Judith Falconer (1987), located in the Roman church of Sant'Andrea della Fratte. Inserted into the context of the Centrale's Engine Room, Cronin's apparitions acquire a paradoxical monumentality - materially slight yet conceptually substantial-in terms of both their spatial and symbolic relationships with the ancient sculptures on display, from the Torso of the Combatant to the Hestia. Entitled Ghosts, the works are ethereal representation poised between abstraction and figuration. Like ectoplasm, the physical vestige of the paranormal, they evoke not only the spirits of the Roman sculptures but also those of the laborers who once worked in the power plant, as if to suggest a hypothetical and symbolic bridge between the ancient and the contemporary, between the history of art and industry."-- Ludovico Pratesi.
Includes bibliographical references.
Text in Italian and English.
Classifications
The Physical Object
ID Numbers
Community Reviews (0)
Feedback?December 7, 2022 | Created by MARC Bot | import new book |