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"It is possible to think of the theater as a consequence -often indirect- of events so shocking that they marked a milestone at some point in our existence, and that released that fast-paced wake that affected the course of our life and history. If theatre can be a collective artifact to record the outbursts of those regions of the unresolved to, Rodrigo Parrini comes to it to put into words the flashes and tremors coming from that abyssal area through the work of two artistic collectives: Teatro Línea de Sombra and Teatro Ojo. It is with them that he dares to question that vibrating and persistent force that pulses, disturbs, disturbs, shakes the art performance event and paradoxically, also sustains it. An old classic figure is present, closely linked to what is usually understood as the origins of the theater, in which a person who knows how to guess interprets the frantic words of another body in the midst of divine fury and returns us enigmas that are deciphered with over time " (HKB Translation) --Back cover.
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Subjects
Theater, Philosophy, Theater and philosophyEdition | Availability |
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Teatro y convulsión: teatro de los desiertos y etnografías forenses
2021, Ediciones DocumentA/Escénicas
in Spanish
- Primera edición.
9874445181 9789874445186
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Book Details
Table of Contents
Edition Notes
Includes bibliographical references (pages 184-190)
In Spanish.
The Physical Object
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December 9, 2022 | Created by MARC Bot | import new book |