Luis Fernando Benedit (Argentina, 1937-2011) was an artist (and architect) who knew how to think about Argentina in an original way and who also wanted to question himself about the place that art can have in the identity of a country. In this book Alejandro Manara gives an account of a clear genealogy in each of the interests of Benedit. Tracking the marks and footprints of his journey; he revisits Benedit's readings and his views on Darwin; whom he studied as a naturalist but also as an observer of the customs of the incipient Argentina; on Hudson, a semi-rural town where he could find the traces of his own childhood and adolescence in the sightings in the pampas; on Max Beckmann, teacher and inspiration; and on Lisandro de la Torre, a pioneer of ethics in politics. Also, his dialogue with Molina Campos; whom he rescued from a postmodern perspective. As Marcelo Pacheco says; "rescue and value oral testimonies; in images and writings of their curiosities; his humor; his refinement; his Criollo/Gaucho doing and his Criollo/Gaucho being; his crosses with science and history; the way to mix all that is so typical of this city and so particular of the Argentine.".