This first monographic exhibition of Flavia Gandolfo brings together a set of works produced between 1990 and 2020 in a period framed by the internal armed conflict, the dictatorial government of Fujimori and the process of redemocratization together with the consolidation of economic neoliberalism. Around 1993, Gandolfo began a shift from direct photography to the technical manipulation of the copy in the darkroom. In this last decade, moving completely away from direct photography, she has devoted herself to using strategies derived from collage, photomontage and weaving from materials such as books, school pictures and personal archive documents. These new works take as a starting point the practice of historians and archaeologists such as Victoria de la Jara-and her research on the supposed existence of an Inca script-the main reference for her latter work, entitled Decipherments of Victoria, where she engages in a dialogue with De la Jara from historian to archaeologist, producing a piece that is not only photography, or only writing, or only history, or only archaeology or only art.