Denitsa Todorova takes her inspiration from everyday phenomena. Textures, shapes and patterns such as water surfaces, reflections, marble structures and firework explosions attract her attention as an artist. Frivolous effects, so to speak, rather than static scenes. Accidental, seemingly futile details that nevertheless make up the fabric of reality: the noise of materiality. It is often these little things that grant the world its unmistakable character: the crackling of a vinyl record, the throatiness of a voice, the grain of a photograph. Todorova, in turn, aims to give visual shape to this, and does so with an almost obsessive dedication. As if she wants, in a way, to return sensory impressions - the intensity of imprints, to reproduce them anew, express them once more, make them visible again. Her work can therefore hardly be called abstract: rather, it is especially concrete, hyper-sensory