For this third issue and in parallel to its exhibition at waldengallery, the Argentine plastic artist, writer and editor Ral Veroni explores the socio-cultural and political context of Argentina at the end of the eighties, through the multifaceted production of Cintia Vietto and Marcelo Weissel. At that time the artists began their street actions, which were transformed into a whirlwind of productions and events linked to music, visual arts, writings and different forms of publications, also typical of the time. All this movement was continued in an intense European period: Milan (1990), Cologne (1991), Moscow (1991), Berlin (1992) and other cities. Yulinda III brings together an extensive documentary archive that shows the hectic years in the production of Cintia and Marcelo.