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Collective exhibition that comprises a series of objects that challenge the present with problems that have their genesis in the Conquest and in the processes of formation of the Mexican nation-state. The curatorial project takes as its guiding axis the "Think like an archipelago" of Édouard Glissant. An archipelago is a set of territories united by what separates them,. They subscribe, dialogue, friction and share, but retain their identity. The exhibition includes paintings, graffiti, installations, objects based on Western visual codes to subvert and make visible the tensions, coloniality and racism of our gaze. Their symbolic operations and positions go beyond replicating styles: they rebel against exoticism and challenge our condition of privilege over the original communities, they reveal themselves to the gaze enunciating the frictions with the Mexican State and the stories of dispossession.
Collective exhibition that comprises a series of objects that challenge the present with problems that have their genesis in the Conquest and in the processes of formation of the Mexican nation-state. The curatorial project takes as its guiding axis the "Think like an archipelago" of Édouard Glissant. An archipelago is a set of territories united by what separates them,. They subscribe, dialogue, friction and share, but retain their identity. The exhibition includes paintings, graffiti, installations, objects based on Western visual codes to subvert and make visible the tensions, coloniality and racism of our gaze. Their symbolic operations and positions go beyond replicating styles: they rebel against exoticism and challenge our condition of privilege over the original communities, they reveal themselves to the gaze enunciating the frictions with the Mexican State and the stories of dispossession.
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Subjects
Mexican Art, Exhibitions, Installations (Art), History, Modern Art, Art, Art mexicainTimes
21st century, 21e siècleShowing 1 featured edition. View all 1 editions?
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Los huecos del agua: arte actual de pueblos originarios = Shadow holes in the water : current art by native peoples in Mexico
2021, Museo Universitario del Chopo
in Spanish
- Primera edición.
6073046065 9786073046060
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Book Details
Table of Contents
Edition Notes
Catalog of an exhibition held at Museo Universitario del Chopo, May 23-September 22, 2019.
Participating artists: Octavio Aguilar (Santiago Zacatepec Mixe, Oaxaca), José Chi Dzul (Dzam, Yucatán), Abraham Gómez (San Juan Chamula, Chiapas), Sabino Guisu (Juchitán de Zaragoza, Oaxaca), Ana Hernández (Tehuantepec, Oaxaca), Carlos Martínez González (Ciudad de México), Noé Martínez (Morelia, Michoacán), Andy Medina (Oaxaca de Juárez, Oaxaca), Fernando Palma Rodríguez (San Pedro Atocpan, México), Baldomero Robles Menéndez (San Pedro Cajonos, Villa Alta, Oaxaca), José Ángel Santiago (Juchitán de Zaragoza, Oaxaca), Maruch Santiz Gómez (San Juan Chamula, Chiapas), Maruch Méndez (K'atixtik, San Juan Chamula, Chiapas), Tlacolulokos (Darío Canul and Cosijoesa Cernas, Tlacolula de Matamoros, Oaxaca), Martha López López (San Juan Chamula, Chiapas), Humberto Gómez Pérez (San Andrés Larráinzar, Chiapas), Mauro Pech (Yaxkukul, Yucatán), Reyes Joaquín Maldonado Gamboa (Sinanché, Yucatán), Colectivo de Mujeres Fotógrafas Indígenas, Juana López López (San Juan Chamula, Chiapas), Colectivo Transdisciplinario de Investigaciones Críticas and César Catsuu López (Xochistlahuaca, Guerrero).
Includes bibliographical references.
Texts in Spanish and English.
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