This collection supports and promotes awareness to the important mission and framework of the Al-Mutanabbi Street Starts Here Coalition's focus on the lasting power of the written word and the arts in support of the free expression of ideas, the preservation of shared cultural spaces, and the importance of responding to attacks, both overt and subtle, on artists, writers, and academics working under oppressive regimes or in zones of conflict, despite the destruction of that literary/cultural content.

"Although I often work with themes of loss and resilience, I found that making this book was a challenge - its focus on a specific horrific human action was difficult and oppressive. My usual tendency is to soften and abstract, to wander into worlds of fairy tales and metaphor, but here I felt that I had to be direct and accessible. For content, I settled on the very basic idea of letting my confusion about how to respond become the topic itself. I give facts - contrasting details of the bombing with my trivial journal entries from that day. I present words - tangle, bind, hold, touch, break, remember - with their long histories of cross-cultural meaning, and I weave the writing together with a personal (and hopefully also communal) musing about how we can try to navigate these terrors, try to understand, to acknowledge and move forward"--Statement from the Book Arts at the Centre for Fine Print Research, UK website.

Lisa Olson is a mixed media and book artist currently living in Belmont, Massachusetts. Her work has been collected by various institutions including The Universities of California, Los Angeles and San Diego, The Cleveland Institute of Art, Brown University and Columbia College. She is proprietor of Parula Press, a small letterpress and printmaking studio, and is an artist member at Boston's Bromfield Gallery.