The creative production of María Fernanda Cuartas (1967), currently one of the most relevant artists from the Vallecaucana region in Colombia, has been well received and commented, mostly, by curators and critics abroad, from where she finds a positive recognition. Within the enormous line of investigative possibilities about emerging creators in the country, this is the first book about this artist where she appears in her own context, it starts with her concern of taking away the faces in her works, on what motivates it: the problems of gender inequity and violence in the blurring of facial features, giving the sensation of the symptomatic depersonalization of present times and a link with the western painting.