[The] early nineties have not been as encouraging as the early seventies.
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Previews available in: English
Edition | Availability |
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1
Movie Wars: How Hollywood and the Media Limit What Movies We Can See
July 1, 2002, Chicago Review Press
Paperback
in English
1556524544 9781556524547
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2 |
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3
Movie Wars: How Hollywood and the Media Limit What Movies We Can See
2002, Chicago Review Press, Incorporated
in English
1556529937 9781556529931
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zzzz
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4
Movie wars: how Hollywood and the media limit what films we can see
2002, Wallflower Press
in English
1903364604 9781903364604
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zzzz
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5
Movie Wars: How Hollywood and the Media Limit What Movies We Can See
2002, Chicago Review Press, Incorporated
in English
1556528744 9781556528743
|
zzzz
|
6
Movie Wars: How Hollywood and the Media Limit What Movies We Can See
2002, Chicago Review Press, Incorporated
in English
1306033543 9781306033541
|
zzzz
|
7
Movie Wars: How Hollywood and the Media Limit What Films We Can See
2002, Chicago Review Press, Incorporated
in English
1556529929 9781556529924
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zzzz
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8
Movie wars: how Hollywood and the media limit what films we can see
2000, A Cappella
in English
- 1st pbk. ed.
1556524544 9781556524547
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zzzz
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9
Movie wars: how Hollywood and the media conspire to limit what films we can see
2000, A Cappella
in English
- 1st ed.
1556524064 9781556524066
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aaaa
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Book Details
Table of Contents
Machine generated contents note: Acknowledgments v
Introduction: Is the Producer Always Right? 1
Chapter One: Is the Cinema Really Dead? 19
Chapter Two: Some Vagaries of Distribution and Exhibition 39
Chapter Three: Some Vagaries of Promotion and Criticism 49
Chapter Four: At War with Cultural Violence: The Critical
Reception of Small Soldiers 63
Chapter Five: Communications Problems and Canons 79
Chapter Six: The AFI's Contribution to Movie Hell: or, How
I Learned to Stop Worrying and Love American Movies 91
Chapter Seven: Isolationism as a Control System 107
Chapter Eight: Multinational Pest Control: Does American
Cinema Still Exist? 129
Chapter Nine: Trafficking in Movies (Festival-Hopping
in the Nineties) 143
Chapter Ten: Orson Welles as Ideological Challenge 175
Conclusion: The Audience Is Sometimes Right 197
Index 227.
Edition Notes
Includes bibliographical references and index.
Classifications
The Physical Object
ID Numbers
Source records
Internet Archive item recordLibrary of Congress MARC record
Better World Books record
marc_columbia MARC record
Excerpts
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