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In Social Rituals and the Verbal Art of Zora Neale Hurston, Dr. Hill examines Hurston's concept of "everyday-life drama" as a basis for understanding distinctive features of African-American folk expression. Readers familiar with Hurston's work will enjoy the unique way in which Dr. Hill analyzes Hurston's folklore as part of a process rather than simply as texts severed from their field-research context. Dr.
Hill's use of performance as an analytical model that crosses disciplines - including folklore, anthropology, literature, theater, African-American studies, and women's studies - provides a unique window on Hurston's life and work.
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Previews available in: English
Subjects
African Americans in literature, Manners and customs in literature, Black English in literature, Literature and anthropology, Criticism and interpretation, Rites and ceremonies in literature, Speech in literature, Women and literature, History, Theater, Critique et interprétation, Ritual, Mœurs et coutumes dans la littérature, Roman, Volkskultur, Rites et cérémonies dans la littérature, Schwarze, Black English (Dialecte) dans la littérature, Noirs américains dans la littérature, Histoire, Parole dans la littérature, Sprache, Femmes et littérature, Littérature et anthropologiePeople
Zora Neale HurstonPlaces
United StatesTimes
20th centuryEdition | Availability |
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1
Social rituals and the verbal art of Zora Neale Hurston
1996, Howard University Press
in English
0882581880 9780882581880
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2
Social Rituals & the Verbal Art of Zora Neale Hurston
December 1996, Howard University Press
Paperback
in English
0882581899 9780882581897
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Book Details
First Sentence
"When Hurston published her essay "Characteristics of Negro Expression" in the 1934 anthology Negro, edited by Nancy Cunard, it was one of numerous contributions reflecting some of the perplexing issues related to race pervasive during a pivotal moment in U.S. history."
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