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Subjects
Musical criticism, Songs, History and criticism, Opera, Music and literatureShowing 1 featured edition. View all 1 editions?
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Table of Contents
Song
The Schubert Lied: Romantic Form and Romantic Consciousness
Performance and Social Meaning in the Lied: Schubert's Erster Verlust
"Syringa": John Ashbery and Elliott Carter
Decadence and Desire: The Wilhelm Meister Songs of Wolf and Schubert
Hugo Wolf: Subjectivity in the Fin-de-Siáecle Lied
Recognizing Schubert: Musical Subjectivity, Cultural Change, and Jane Campion's The Portrait of a Lady
"Little Pearl Teardrops": Schubert, Schumann, and the Tremulous Body of Romantic Song
The Harem Threshold: Turkish Music and Greek Love in Beethoven's "Ode to Joy"
Like Falling Leaves: The Erotics of Mourning in Four Drum-Taps Settings
Murderous Women in German Opera
"Longindyingcall": of Music, Modernity, and the Sirens
Recalling the Sublime: The Logic of Creation in Haydn's Creation
Wagner's Gold Standard: Tannhèauser and the General Equivalent
The Talking Wound and the Foolish Question: Symbolization in Parsifal
The Great American Opera: Klinghoffer, Streetcar, and the Exception
Modern Madrigalisms: Elliott Carter and the Aesthetics of Art Song
The Strange Case of Beethoven's Coriolan: Romantic Aesthetics, Modern Subjectivity, and the Cult of Shakespeare
Tolstoy's Beethoven, Beethoven's Tolstoy: The Kreutzer Sonata
Subjectivity Unbound: Music, Language, Culture.
Edition Notes
Includes bibliographical references.
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The Physical Object
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