Issued in grey clamshell box with label that reads "21st Editions: The art of the book".

"... an edition of forty-six copies: thirty-five numbered 1-35, ten lettered A-J, and one publisher's copy. Each set includes thirty-three original pigment-ink prints signed and printed by the artist: fifteen bound, sixteen free-standing, plus two printed on handcoated anodized aluminum in a custom presentation. The bound prints are printed on Rives BFK, while the free-standing prints are printed on Arches Velin Museum Rag. The text is printed letterpress on Hahnemühle Dürer Etching by Art Larson. Pam Clark assisted with design and production management. The typography is in FF Scala Sans by Crissy Welzen. The binding is by Peter Geraty and Julia Rabin with production assistance by Tim Faner."--Colophon

Signed by Michael Murray, Gideon Bosker, John Stauffer, John Wood, and Steven Albahari below colophon.

Each print is signed by the photographer.

Avery Classics copy: No.23.

Contains bibliographical references (pages18-19, 81-83).

Clamshell case in blue cloth with black-stamped lettering along spine contains one bound volume, one portfolio, and one display stand.

Volume is bound is dark blue leather with light blue-washed cloth over boards. Abstract patterns on boards contain stone, mother of pearl, stingray, wood, and copper inlay.

Portfolio is bound in blue cloth with attached paper enclosure containing 16 loose pigment ink prints and index sheet.

Folded display stand is bound in blue cloth and contains two images printed on anodized aluminum. When unfolded a dark blue leather connector may be used to attach the opposite edges to form an A-frame sculpture.