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"A presente pesquisa é desenvolvida por Paulo Herkenhoff, um dos mais criativos críticos e historiadores de arte do país, e que já tem proposito diferentes temas para trabalhos realizados pelo Instituto: em Tomie Ohtake na Trama Espiritual da Are Brasileira; Meio Século de Arte Brasileira (1950-2005), por exemplo, Herkenhoff escreveu sobre a pintura do período de 1950 a 1965; em Laços do Olhar, focalizour a arte desenvolvida pelos japoneses e seus descendentes no Brasil--trabalhos que compõem faixas importantes da história de arte realizada no país."--P. [7]. "The present research is developed by Paulo Herkenhoff, one of the most creative critics and art historians of the country, who already has different themes for works done by the Institute: in Tomie Ohtake in the Spiritual Plot of the Brazilian Are Half Century of Brazilian Art (1950-2005), for example, Herkenhoff wrote about painting from the period of 1950 to 1965; in Loops of the Look, he focused on the art developed by the Japanese and their descendants in Brazil - works that compose important tracks of art history country."
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Berna Reale, Rivane Neuenschwander (1967-), Rosana Paulino, Rosana Palazyan (1963-), Paula Trope (1962-), Niura Bellavinha, Rosângela Rennó (1962-), Adriana Varejão (1964-), Katie van Scherpenberg (1940-), Anna Maria Maiolino (1942-), Tomie Ohtake, Mira Schendel (1919-1988), Lygia PapePlaces
BrazilTimes
20th century, 21st centuryEdition | Availability |
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Mulheres do presente, a clareza entre sombras
2016, Instituto Tomie Ohtake
in Portuguese
8588728885 9788588728882
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Includes bibliographical references.
Texts in Portuguese and English.
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