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Rekonstruktion der Gesellschaft aus Kunst: Antwerpener Malerei und Graphik in und nach den Katastrophen des späten 16. Jahrhunderts
2016, Michael Imhof Verlag
in German
3731900734 9783731900733
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Book Details
Table of Contents
Hans Vredeman de Vries malt Bürgerkrieg, Religionsfrieden und Kapitulation (170-1586) -- Thomas Fusenig
Das aufsässige Antwerpen versöhnen? Friedensstrategien der Habsburgischen Generalstatthalter während des Aufstands der Niederlande (1566-1586) -- Violet Soen
Peace through the image from Van Barrefelt to Van Veen -- Ralph Dekoninck
Antwerpen 1585: Künstler und Kenner zwischen Krieg und Neubeginn -- Nils Büttner
Weltgerichts-Ikonographie und Imitation italienischer Kunst im Antwerpen des späten 16. Jahrhunderts -- Eckhard Leuschner
Antwerp architecture and urbanism from the calvinist period until the Twelve Years' Truce (1577-1609) -- Piet Lombaerde
Works of art and architecture for restoration, community, and parish building in St. Jacob's, Antwerp, 1585-1621 -- Jeffrey Muller
Hitting the mark: strategies of display in the altarpieces of the Antwerp Milita Guilds -- Anne T. Woollett
The production and distribution of illustrated editions by the Antwerp Plantin Press in the beginning of the 17th century -- Dirk Imhof
"Levende beelden Gods": a note on the depiction of saints in Netherlandish art after 1585 -- Koenraad Jonckheere
The worst of times, the best of times: the Angwerp religious painter Frans Francken and his altarpieces 1586-1587 -- Natasja Peeters
Mehr Sex auf dem Land? Dekorationsprogramme unddie Erweiterung der Bildthemen in der flämischen Malerei im 16. und frühen 17. Jahrhundert -- Ursula Härting
Otto van Veen on penitence and choice -- Nathalie de Brézé
Abraham Janssen van Nuyssen and his role in the revival of the erotic gene between the fall of Antwerp and the return of Rubens (1585-1608) -- Joost vander Auwera
From youthful violence to pleas for peace: Rubens's political development, and the influence of his master, Otto van Veen -- David Jaffé.
Edition Notes
Includes bibliographical references.
10 English, 5 German contributions.
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The Physical Object
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