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Written by an international team consisting of two art historians, a historian, and a musicologist, this study explores the intellectual, scribal, artistic and musical culture of the Dominican nuns of Paradies from a variety of perspectives. Taking as its subject a little-known group of fourteenthand early fifteenth-century liturgical manuscripts from the Dominican convent of Paradies bei Soest (Westphalia), the book also offers a revisionary account of the development of the Dominican order in late medieval Germany. Two antiphonaries, three graduals and additional fragments made both for and by the nuns testify to a self-conscious liturgical culture closely tied to the development of the Dominican order's female branch.
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Liturgical life and latin learning at Paradies bei Soest, 1300-1425: inscription and illumination in the choir books of a North German dominican convent
2016, Aschendorff Verlag
in English
3402130726 9783402130728
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Edition Notes
Published with the support of the Suzanne and James Mellor Prize of the National Museum of Women in the Arts.
Contains bibliographical references (pages 529-610, Volume II) and indexes.
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