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The four plays of Shakespeare's Henriad and the slightly later Hamlet brilliantly explore interconnections between political power and interior subjectivity as productions of the newly emerging constellation we call modernity. Hugh Grady argues that for Shakespeare subjectivity was a critical, negative mode of resistance to power--not, as many recent critics have asserted, its abettor. (Amazon).
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Subjects
Psychology, English Historical drama, History and criticism, Influence, Histories, Political and social views, Subjectivity in literature, Power (Social sciences) in literature, Machiavellianism (Psychology) in literature, Knowledge, Shakespeare, william, 1564-1616, political and social views, Shakespeare, william, 1564-1616, knowledge and learning, Machiavelli, niccolo, 1469-1527, Montaigne, michel de, 1533-1592, Shakespeare, william, 1564-1616, histories, Historical drama, history and criticism, Machiavellianism (psychology), Knowledge and learning, HistoryEdition | Availability |
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Shakespeare, Machiavelli, and Montaigne: Power and Subjectivity from Richard II to Hamlet
January 16, 2003, Oxford University Press, USA
in English
0199257604 9780199257607
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Shakespeare, Machiavelli, and Montaigne: power and subjectivity from Richard II to Hamlet
2002, Oxford University Press
in English
0199257604 9780199257607
|
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Book Details
Edition Notes
Includes bibliographical references (p. [266]-281) and index.
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