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Summary: The exhibition sets its sights on modernity's design for a more humane and contemporary society since the early twentieth century: a design for new forms of living and new cityscapes. What happened to this utopia? The architecture and design concepts by the artists represented in the exhibition contemplate "models" of utopian, pure design in their state of deterioration. Sometimes preserving moments of the crystalline, they are riddled with decay, entropy, ruin, and "rust" (Smithson), yet find nourishment from the idea of the bricolage, the implementation "of that which is there", from the concept of recycling, so to speak. With that, they formulate final day stages, testing survival on the remnants of a demised civilization. These remnants are the final resources. On the other hand, these approaches thus take up a practically utopian thought of "sustainability", the idea of a better society, born of the spirit of dystopia. Exhibition: Generali Foundation, Vienna, 19 June - 20 September 2009.
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Subjects
Modern Art, Exhibitions, Modernism (Art)People
Yona Friedman (1923-), Giuseppe Gabellone (1973-), Cyprien Gaillard (1980-), Isa Genzken (1948-), Dan Graham (1942-), Gordon Matta-Clark (1943-1978), Florian Pumhösl (1971-), Robert Smithson (1938-1973), Rob Voerman (1966-), Stephen Willats (1943-)Times
20th century, 21st centuryEdition | Availability |
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Die Moderne als Ruine: eine Archäologie der Gegenwart = Modernism as a ruin : an archaeology of the present
2009, Verlag für Moderne Kunst, Generali Foundation
in German
3941185829 9783941185821
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Book Details
Table of Contents
Edition Notes
Catalog of an exhibition held at the Generali Foundation, Vienna, June 19-Sept. 20, 2009.
Includes bibliographical references (p. 209-215).
German and English.
Classifications
The Physical Object
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