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This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways.
This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art.
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Getting the picture: the ekphrastic principle in twentieth-century Spanish poetry
1997, Bucknell University Press, Associated University Presses
in English
0838753353 9780838753354
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Includes bibliographical references (p. 235-250) and index.
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