Carroll anatomizes the irrationalism of current literary theory with surgical precision. In a concise, lucid prose, he lays bare the sophistries at the heart of the doctrines propounded by Derrida, Foucault, Jameson, Greenblatt, Eagleton, J. Hillis Miller, Fish, and many others.

In opposition to the textualism and indeterminacy that constitute the central doctrines of poststructuralism, Carroll affiliates himself with a realist and naturalist tradition of thought that runs from Darwin and Huxley, through Leslie Stephen and Thorstein Veblen, to Konrad Lorenz and Karl Popper. He offers a comprehensive synthesis of current evolutionary theory in the human sciences, and he shows why the evolutionary paradigm provides the only adequate source for a modern theory of culture.

Over the past two decades, poststructuralism in its myriad forms has come to dominate literary criticism to the exclusion of virtually any other point of view. Few scholars have escaped the coercive authority of its programmatic radicalism. In Evolution and Literary Theory, Joseph Carroll vigorously attacks the foundational principles of poststructuralism and offers in their stead a bold new theory that situates literary criticism within the matrix of evolutionary theory.