Music criticism in nineteenth-century France

La revue et gazette musicale de Paris, 1834-80

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Last edited by MARC Bot
July 18, 2024 | History

Music criticism in nineteenth-century France

La revue et gazette musicale de Paris, 1834-80

This book focuses on musical writings in the daily and periodical press in France during the nineteenth century. It covers the criticism of a wide range of Western music, from c. 1580 to 1880, explaining how composers such as Bach and Beethoven secured a permanent place in the repertory.

In particular, Dr Ellis considers the music journalism of the Revue et Gazette musicale de Paris, the single most important specialist periodical of the mid nineteenth century, explaining how French music criticism was influenced by aesthetic and philosophical movements.

Dr Ellis analyses the process of canon formation, the development of French musicology and the increasing sensitivity of critics to questions of performance practice. Chapters on new music examine the conflict, inevitable in publishers' journals, between commercial interest and aesthetic integrity.

Publish Date
Language
English
Pages
301

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Previews available in: English

Edition Availability
Cover of: Music Criticism in Nineteenth-Century France
Music Criticism in Nineteenth-Century France: La Revue et Gazette Musicale de Paris, 1834-80
2011, Cambridge University Press
in English
Cover of: Music Criticism in Nineteenth-Century France
Music Criticism in Nineteenth-Century France: La Revue et Gazette Musicale de Paris, 1834-80
2009, Cambridge University Press
in English
Cover of: Music Criticism in Nineteenth-Century France
Music Criticism in Nineteenth-Century France: La Revue et gazette musicale de Paris 183480
May 31, 2007, Cambridge University Press
Paperback in English - 1 edition
Cover of: Music criticism in nineteenth-century France
Music criticism in nineteenth-century France: La revue et gazette musicale de Paris, 1834-80
1995, Cambridge University Press
in English

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Book Details


Edition Notes

Includes bibliographical references (p. 274-284) and indexes.

Published in
Cambridge, New York
Other Titles
Gazette musicale de Paris., Revue et gazette musicale de Paris.

Classifications

Dewey Decimal Class
780/.944/09034
Library of Congress
ML270.4 .E45 1995

The Physical Object

Pagination
xiii, 301 p. ;
Number of pages
301

ID Numbers

Open Library
OL1110170M
Internet Archive
musiccriticismni00elli
ISBN 10
0521454433
LCCN
94035618
OCLC/WorldCat
31206512
Goodreads
5231604

Excerpts

The first three decades of the nineteenth century saw music criticism change from a discipline dominated by literary critics to one presided over by trained musicians addressing their readers in technical language; in the fourth decade, Romanticism's penchant for a fusion of the arts brought writers back into the music critic's domain, producing some of the most imaginative and original criticism of the entire century.
added anonymously.

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