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This book focuses on musical writings in the daily and periodical press in France during the nineteenth century. It covers the criticism of a wide range of Western music, from c. 1580 to 1880, explaining how composers such as Bach and Beethoven secured a permanent place in the repertory.
In particular, Dr Ellis considers the music journalism of the Revue et Gazette musicale de Paris, the single most important specialist periodical of the mid nineteenth century, explaining how French music criticism was influenced by aesthetic and philosophical movements.
Dr Ellis analyses the process of canon formation, the development of French musicology and the increasing sensitivity of critics to questions of performance practice. Chapters on new music examine the conflict, inevitable in publishers' journals, between commercial interest and aesthetic integrity.
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Previews available in: English
Edition | Availability |
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1
Music Criticism in Nineteenth-Century France: La Revue et Gazette Musicale de Paris, 1834-80
2011, Cambridge University Press
in English
0511884729 9780511884726
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2
Music Criticism in Nineteenth-Century France: La Revue et Gazette Musicale de Paris, 1834-80
2009, Cambridge University Press
in English
0511470266 9780511470264
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3
Music Criticism in Nineteenth-Century France: La Revue et gazette musicale de Paris 183480
May 31, 2007, Cambridge University Press
Paperback
in English
- 1 edition
0521035899 9780521035897
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4
Music criticism in nineteenth-century France: La revue et gazette musicale de Paris, 1834-80
1995, Cambridge University Press
in English
0521454433 9780521454438
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Book Details
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Includes bibliographical references (p. 274-284) and indexes.
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