In this critical volume Flora Gonzalez Mandri provides a comprehensive reading of the narrative works of Jose Donoso, Chile's most prominent novelist. A respected member of the Latin American Boom, his international reputation was established in 1970 with publication of The Obscene Bird of Night.

While Donoso has long been canonized as one of the preeminent Latin American narrators, and translations of his novels and short prose have been available for some time, there has been no book-length study of his work in English until now.

Gonzalez Mandri focuses on Donoso's novels and novellas from the 1950s through today, including Coronation (1957), A House in the Country (1978), The Garden Next Door (1981), and "Taratuta" (1990). She concentrates particularly on questions of space and perspective within the theatrical-novelistic world he creates, considering the "house" in Donoso's fiction - the family home, brothel, convent, or apartment - as theater.

The doors and windows of his houses act as frames for dramatic scenes within which he directs the movements of his subjects for his audience.

This volume examines the multiple narrative perspectives Donoso presents and traces a transformation in Donoso's works from complex stage performance to political forum. Studying fiction as grotesque, mannered theater or as a transparent screen through which social and political concerns are scrutinized, Gonzalez Mandri illuminates another constant in Donoso's work: a weaving of feminine and masculine aspects of artistic voice as they incorporate the idioms of drama, radio, film, and television.