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As information and communication technologies saturate our world, how is art giving way to new forms of cultural symbolic manipulation? Are there any strategies that can elude being reduced to styles in the service of sales, or are critical practices doomed to play cat and mouse with the forces of consumerism? Beyond the obsolete models of artist or author as genius and their fetish objects, what collective and collaborative practices are inventing new terrains and flows?
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Subjects
Mass media and art, Art and technologyEdition | Availability |
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Critical strategies in art and media: perspectives on new cultural practices
2010, Autonomedia
in English
157027214X 9781570272141
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"A World-Information Institute publication supported by the Ludwig Boltzmann Institute/Media.Art.Research Linz (A) ... Based on a World-Information Institute event on September 10, 2009, in cooperation with Ludwig Boltzmann Institute/Media.Art.Research and the Austrian Cultural Forum New York (ACF NY)."--T.p. verso.
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