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Between the years 1926 and 1928 the philosopher Ludwig Wittgenstein and the architect Paul Engelmann designed and built a villa for Wittgenstein's elder sister, the Viennese society figure Margaret Stonborough. Although Engelmann was an experienced architect and a former pupil of Adolf Loos, the collaboration between the two was dominated by Wittgenstein, who is generally credited with the villa's design.
This book describes the events that led to Wittgenstein's temporary status as an architect and reviews his ideas about aesthetics in general and architecture in particular. It also includes an extensive analysis of his quest for functionalism, perfectionism, and elegance as a consequence of truthfulness in thinking and acting. Considerable attention is given to Wittgenstein's friendship with Loos and the role of Loos's pupil, Jacques Groag.
The text is accompanied by some 300 drawings and sketches by Engelmann and Wittgenstein, virtually all preserved perspectives and plans, and drawings and watercolors of the villa's interior and original furnishing.
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Subjects
Architecture, Buildings, structures, Criticism and interpretation, Homes and haunts, Kundmanngasse 19 (Vienna, Austria), Mansions, Philosophy, Haus Wittgenstein (Vienna, Austria), Wittgenstein, ludwig, 1889-1951, Architecture, philosophy, Vienna (austria), description and travelPeople
Ludwig Wittgenstein (1889-1951), Margarethe Stonborough-Wittgenstein (1882-1958), Paul Engelmann (1891-1965)Places
Austria, Vienna, Vienna (Austria)Edition | Availability |
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1
Ludwig Wittgenstein, architect
1994, MIT Press, The MIT Press
in English
- 1st MIT Press ed.
0262231751 9780262231756
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2
Ludwig Wittgenstein, architect
1994, Thames and Hudson, Thames & Hudson Ltd
in English
050034129X 9780500341292
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Book Details
Edition Notes
Includes bibliographical references (p. 229-232) and index.
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Work Description
Margaret Stonborough, a Vienna socialite (famously painted by Gustav Klimt in one of the "gold" painting series) commissioned architect Paul Engelmann in 1926 to construct an urban dwelling for her in Vienna. Engelmann delivered a plan for a very simplified mansion which over the next two years was considerably pushed further toward simplicity by Stonborough's brother, philosopher Ludwig Wittgenstein. Although both Engelmann and Wittgenstein had known architect Adolf Loos, the two had differing ideas for how the house should be completed. But their respective contributions in this book are revealed to have a necessary and sequential relationship, with Englemann delivering an initial modernity with up-to-code blueprint basics and the mania for precision of Wittgenstein further removing all baroque vestiges from the original scheme. This achieved a hyper-modernity which has been documented in Wijdeveld's book like no other in my experience.
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Feedback?August 17, 2024 | Edited by ImportBot | import existing book |
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