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Born in 1757, the son of a London hosier, William Blake - poet, painter, and engraver - possessed one of the most original and fertile creative geniuses of his age. Yet his strange aloofness and claims of supernatural visions caused many in his own time and since to doubt his sanity, and much of his astonishing poetry and visual art remains unfamiliar.
Now, Peter Ackroyd gives us a biography of the enigmatic eighteenth-century master, clarifying at last the true nature of Blake's extraordinary life and art.
Ackroyd's narrative traces Blake's progression from his childhood in a Dissenting household, through his apprenticeship as an engraver and his studies at the newly formed Royal Academy Schools, to his full maturity, during which he produced his great masterpieces - Songs of Innocence and of Experience, Jerusalem, and Milton, to name only a few - works that were as neglected during his lifetime as they are celebrated today.
Re-creating time and place as only he can, Ackroyd locates Blake in the complex context of his external world - a cross section of eighteenth-century London inflamed by various forms of radicalism, mysticism, and sexual magic, squarely opposed to the age's prevailing faith in rationalism. But he also shows us the cockney visionary as the creator of his own lavish interior world, a universe filled with angels and spirits.
It is in Blake's utterly unique art that these two worlds meet, as Ackroyd reveals in his dazzling interpretations of Blake's poetry and the many paintings and engravings beautifully reproduced in this volume.
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Blake
1996, Knopf, Distributed by Random House
in English
- 1st American ed.
067940967X 9780679409670
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Book Details
Edition Notes
Includes bibliographical references (p. 383-389) and index.
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Work Description
Blake, a London hosier's son, began having mystical visions around age eight and came to see his life as a revelation of eternity. While eking out a living as an engraver, he stripped away levels of conventional perception to create a universe of mythical figures, muses and angels, or prophets and bards who stand alone against the world. For Ackroyd, biographer of Dickens and T.S. Eliot, Blake's tragedy was that he had the capacity to become a great public and religious poet but instead turned in upon himself, gaining neither reputation nor influence in his lifetime. Combining meticulous scholarship with uncanny psychological insight, this marvelously illustrated biography (with color and b&w plates of Blake's paintings, drawings and engravings) presents him as a prescient social critic who, long before Freud, saw warfare as a form of repressed sexuality, and whose prophetic epic poems offer a cogent vision of humanity's spiritual renewal.
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