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"Andrew Smith reconsiders the relationship between the nineteenth-century Gothic, theories of the sublime and Freudian psychoanalysis, showing how the Gothic of the period produces a radical critique of these ideas as it forms its own version of sublimity and the unconscious. At issue here is an identification of a specific Gothic history, one which rewrites the dominant intellectual history of the time.
The argument is made that the Gothic critically reads Freudian ideas avant la lettre and so requires us to move beyond psychoanalysis to develop an enquiry into the history of ideas.".
"By applying contemporary critical theory, this study historicises psychoanalysis through a new and significant theorisation of the Gothic. A range of writers including Mary Shelley, Edgar Allan Poe, Robert Louis Stevenson and Bram Stoker are explored in order to illustrate how the Gothic rewrites both an idealist philosophy and Freudian psychoanalysis."--BOOK JACKET.
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Previews available in: English
Subjects
English Horror tales, English fiction, Fictional works, Gothic revival (Literature), History and criticism, Philosophy in literature, Psychoanalysis and literature, Radicalism in literature, Poe, edgar allan, 1809-1849, English fiction, history and criticism, 19th century, Horror tales, history and criticism, Radicalism, HistoryPeople
Edgar Allan Poe (1809-1849)Places
Great Britain, United StatesTimes
19th centuryEdition | Availability |
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Gothic radicalism: literature, philosophy, and psychoanalysis in the nineteenth century
2000, Macmillan, St. Martin's Press, Palgrave Macmillan
in English
0312230427 9780312230425
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Book Details
Edition Notes
Includes bibliographical references (p. 179-185) and index.
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The Physical Object
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July 11, 2024 | Edited by MARC Bot | import existing book |
August 13, 2020 | Edited by ImportBot | import existing book |
December 4, 2010 | Edited by Open Library Bot | Added subjects from MARC records. |
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December 8, 2009 | Created by ImportBot | add works page |