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Examines the language of ancient Celtic and Mediterranean poetic myths, probing the role of the all-encompassing female figure, the White Goddess, in the earliest forms of poetry.
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Previews available in: Russian English
Subjects
Mythology, Poetry, History and criticism, Welsh poetry, Philosophy, Goddesses, Moon, Religion, Literature and history, History, Poetry as Topic, Welsh poetry, history and criticism, Poetry (poetic works by one author), Goddess religion, Goddesses in literature, Mythology in literature, Feminism and literature, Women and literature, Language and languages, Etymology, Poetics, Mythologie, Poésie galloise, Histoire et critique, PoésiePeople
robert gravesPlaces
WalesTimes
prehistoryShowing 7 featured editions. View all 47 editions?
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The white goddess: a historical grammar of poetic myth
1975, Farrar, Straus and Giroux, Noonday Press
in English
0374504938 9780374504939
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3
The White Goddess: a historical grammar of poetic myth.
1972, Octagon Books
in English
- [Amended and enl. ed.]
0374932395 9780374932398
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4
The white goddess: a historical grammar of poetic myth
1966, Farrar, Straus and Giroux
Ebook
in English
- Amended and enl. ed.
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5
The White Goddess: a historical grammar of poetic myth
1952, Faber and Faber
in English
- Amended and enl. ed.
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6
The White Goddess: a historical grammar of poetic myth
1948, Vintage Books
in English
- Amended and enl. [i.e. 3rd] ed.
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7
The White Goddess: a historical grammar of poetic myth.
1948, Creative Age Press
in English
- [1st ed.]
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Book Details
Table of Contents
Edition Notes
Includes index.
Classifications
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Work Description
The definitive edition of one of the more extraordinary and influential books of our time
This labyrinthine and extraordinary book, first published more than sixty years ago, was the outcome of Robert Graves's vast reading and curious research into strange territories of folklore, mythology, religion, and magic. Erudite and impassioned, it is a scholar-poet's quest for the meaning of European myths, a polemic about the relations between man and woman, and also an intensely personal document in which Graves explores the sources of his own inspiration and, as he believed, all true poetry.
Incorporating all of Graves's final revisions, his replies to two of the original reviewers, and an essay describing the months of illumination in which The White Goddess was written, this is the definitive edition of one of the most influential books of our time.
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