Interpretation of French music from 1675-1775 for woodwind and other performers.
Additional comments on German and Italian music.
by Betty Bang Mather
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"To make the melody more pleasing," according to several French writers during the first half of the eighteenth century, subtle rhythmic distortions, various articulation practices, and specific but tasteful ornamentations were used. What were these special practices and how were they employed? How did meter affect tempo, style, and expression? How was this expression articulated in the unequal performance of equally-written quick notes? How did various articulation patterns further bring out the character of the piece? How were ornaments employed for emphasis, to clarify structure, to enhance feeling? Why, where, and how these devices were used is the province of this book. - Preface.
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Subjects
Embellishment (Music), Performance practice (Music), Wind instruments, Music, Instruction and study, History and criticism, HistoryPlaces
EuropeTimes
17th century, 18th centuryShowing 2 featured editions. View all 2 editions?
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1
Interpretation of French Music from 1675-1775 for Woodwind and Other Performers
1973-06-01, Mcginnis & Marx Music Pub
0941084035 9780941084031
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2
Interpretation of French music from 1675-1775 for woodwind and other performers.: Additional comments on German and Italian music.
1973, McGinnis & Marx Music Publishers
in English
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Book Details
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Edition Notes
"One of the most comprehensive books on the art of French Baroque ornamentation." - courtlymusicunlimited.com
Bibliography: p. 92-99.
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| July 16, 2019 | Edited by MARC Bot | import existing book |
| January 29, 2018 | Edited by Bryan Tyson | Edited without comment. |
| December 5, 2010 | Edited by Open Library Bot | Added subjects from MARC records. |
| December 10, 2009 | Created by WorkBot | add works page |