Bambi vs. Godzilla

on the nature, purpose, and practice of the movie business

1st ed.
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Last edited by OnFrATa
December 12, 2022 | History

Bambi vs. Godzilla

on the nature, purpose, and practice of the movie business

1st ed.
  • 0 Ratings
  • 4 Want to read
  • 0 Currently reading
  • 1 Have read

Playwright and screenwriter Mamet gives us a subversive inside look at Hollywood from the perspective of a filmmaker who has always played the game his own way. Who really reads the scripts at the film studios? How is a screenplay like a personals ad? Whose opinion matters when revising a screenplay? Why are there so many producers listed in movie credits? And what do those producers do, anyway? Refreshingly unafraid to offend, Mamet provides hilarious, surprising, and bracingly forthright answers to these and other questions about virtually every aspect of filmmaking, from concept to script to screen. He covers topics ranging from "How Scripts Got So Bad" to the oxymoron of "Manners in Hollywood." He takes us step-by-step through some of his favorite movie stunts and directorial tricks, and demonstrates that it is craft and crew, not stars and producers, that make great films.--From publisher description.

Publish Date
Publisher
Pantheon Books
Language
English
Pages
250

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Previews available in: English

Edition Availability
Cover of: Bambi vs. Godzilla
Bambi vs. Godzilla: On the Nature, Purpose, and Practice of the Movie Business (Vintage)
February 12, 2008, Vintage
Paperback in English
Cover of: Bambi vs. Godzilla
Bambi vs. Godzilla
2008, Knopf Doubleday Publishing Group
E-book in English
Cover of: Bambi vs. Godzilla
Cover of: Bambi vs. Godzilla
Bambi vs. Godzilla: on the nature, purpose, and practice of the movie business
2007, Pantheon Books
in English - 1st ed.
Cover of: Bambi vs. Godzilla
Bambi vs. Godzilla: on the nature, purpose, and practice of the movie business
2007, Pantheon Books
in English - 1st ed.
Cover of: Bambi v. Godzilla
Cover of: Bambi v. Godzilla

Add another edition?

Book Details


Table of Contents

Introduction -- -- [pt. 1].
The good people of Hollywood --
Hard work --
Producers --
Victims and villains --
Jews in show business --
The development process ; or, Learning to make nothing at all! -- -- [pt. 2].
The repressive mechanism --
A dark comedy --
An American tragedy --
An understanding and a misunderstanding of the repressive mechanism --
Corruption -- -- [pt. 3].
The screenplay --
How to write a screenplay --
Character, plot, dialogue, camera angles, advice to the editor --
Helpful hints on screenwriting --
The script --
Women, writing for --
How scripts got so bad --
Begging letters --
(Secret bonus chapter) : The three magic questions -- -- [pt. 4].
Technique --
Storytelling : some technical advice --
Learning by doing --
Improvisation --
The slate piece --
The wisdom of the ancients -- -- [pt. 5].
Some principles --
The audience ; or, Lessons from duck hunting --
Aesthetic distance --
The five-gag film --
Bringing a gun to a knife fight ; or, A short tour of the concept of suspension of disbelief.
[pt. 6].
Genre --
Bang-bang --
The cop movie --
"Film noir and he-men --
Shadow of a doubt --
Religious films --
The sequel -- -- [pt. 7].
Passing judgment --
Reverence as opposed to love --
Great and rotten acting --
Good in the room : auditions and the fallacy of testing critics --
The critic and the censor -- -- [pt. 8].
Crimes and misdemeanors --
Manners in Hollywood --
Theft --
Two great American documents ; or, In the wake of the Oscars --
Conclusion : It ain't over till it's over --
Appendix : Films referenced --
Index.

Edition Notes

Includes index.

Includes filmography: p. [207]-238.

Published in
New York
Other Titles
Bambi versus Godzilla

Classifications

Dewey Decimal Class
384/.80973
Library of Congress
PN1993.5.U6 M244 2007

The Physical Object

Pagination
xii, 250 p. ;
Number of pages
250

ID Numbers

Open Library
OL24928743M
Internet Archive
bambivsgodzillao00mame
ISBN 10
0375422536
ISBN 13
9780375422539
LCCN
2006020018
OCLC/WorldCat
70131181

Work Description

In Bambi vs. Godzilla, David Mamet, the award-winning playwright and screenwriter, gives us an exhilaratingly subversive inside look at Hollywood from the perspective of a filmmaker who has always played the game his own way.Who really reads the scripts at the film studios? How is a screenplay like a personals ad? Whose opinion matters when revising a screenplay? Why are there so many producers listed in movie credits? And what the hell do those producers do, anyway? Refreshingly unafraid to offend, Mamet provides hilarious, surprising, and bracingly forthright answers to these and other questions about virtually every aspect of filmmaking, from concept to script to screen. He covers topics ranging from "How Scripts Got So Bad" to the oxymoron of "Manners in Hollywood." He takes us step-by-step through some of his favorite movie stunts and directorial tricks, and demonstrates that it is craft and crew, not stars and producers, that make great films. He tells us who his favorite actors and what his favorite movies are, who he thinks is the most perfect actor to grace the screen, and who he thinks should never have appeared there.Demigods and sacred cows of the movie business--beware! But for the rest of us, Mamet speaking truth to Hollywood makes for searingly enjoyable reading.From the Hardcover edition.

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December 12, 2022 Edited by OnFrATa Merge works (MRID: 33425)
July 15, 2019 Edited by MARC Bot import existing book
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October 15, 2009 Created by WorkBot add works page