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The utopian sixties inspired revolutionary and alternative ways to live, love, and entertain--and equally radical spaces to do it in. Stimulated by the psychedelic drug culture, rebel designers and architects distorted space to create womblike coves and isolation chambers, forging a spatial vocabulary that still reverberates today. At the same time, the tune-in-turn-on-drop-out message lured youths into far-flung communes, often under the roofs of brightly painted geodesic domes draped and tie-dyed fabric. Idealistic and anarchic enclaves with names like Drop City and Morning Star redefined the concept of community, inventing a wildly spontaneous way of building and dwelling.
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Spaced Out: Crash Pads, Hippie Communes, Infinity Machines, and other Radical Environments of the Psychedelic Sixties
April 29, 2008, Rizzoli, Rizzoli International Publications, Incorporated
Hardcover
in English
0847831051 9780847831050
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Spaced out: radical environments of the psychedelic sixties
2008, Rizzoli
in English
0847831051 9780847831050
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Includes bibliographical references (p. 291-300) and index.
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The utopian sixties inspired revolutionary and alternative ways to live, love, and entertain--and equally radical spaces to do it in. Idealistic and anarchic enclaves with names like Drop City and Morning Star redefined the concept of community, inventing a wildly spontaneous way of building and dwelling.
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