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"Just before World War II, Piet Mondrian fled from Paris to London and later to New York, where he lived until his death in 1944. Upon his arrival in Manhattan, the artist began reworking seventeen of the paintings he brought with him, many of which had already been finished and exhibited.
He changed lines and added blocks and bars of color to give them what he called "more boogie-woogie." By inscribing these so-called transatlantic works with a double date, for example "38/42," Mondrian emphasized the exceptional history of the series.".
"In this book, Harry Cooper, an authority on Mondrian's art, and Ron Spronk, an expert on the technical examination of paintings, investigate the artist's unusual working method during this period. Their collaboration offers an intimate look into the studio of a great modern artist and establishes a new model for the integration of art history, theory, and technical analysis."--BOOK JACKET.
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Previews available in: English
Subjects
Criticism and interpretation, Technique, Painting, Art styles: c First World War to 1960, Exhibition catalogues and specific collections, Individual artists, Painting & paintings, Second World War, 1939-1945, Criticism and interpretation, Exhibition Catalogs, Collections, Catalogs, Exhibitions - General, Art & Art Instruction, Mondrian, Piet,, Art, London, Greater London, New York, Criticism, History - Modern (Late 19th Century to 1945), Individual Artist, Art / Criticism, Technique, 1872-1944, Painting, Mondrian, piet, 1872-1944, Painting, technique, Art, modern, 20th century, history, Art criticism, ExhibitionsPeople
Piet Mondrian (1872-1944)Showing 2 featured editions. View all 2 editions?
Edition | Availability |
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1
Mondrian: the transatlantic paintings
2001, Yale University Press, Harvard University Art Museums
in English
0300089287 9780300089288
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2
Mondrian: The Transatlantic Paintings
May 1, 2001, Huam
Hardcover
in English
0300089287 9780300089288
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Book Details
Edition Notes
Published in conjunction with the exhibition organized by the Fogg Art Museum and the Straus Center for Conservation of the Harvard University Art Museums, Cambridge, Mass., held at Harvard Art Museums, Apr. 28-July 22, 2001 and the Dallas Museum of Art, Aug. 19-Nov. 25, 2001
Includes bibliographical references and index
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Feedback?November 13, 2023 | Edited by MARC Bot | import existing book |
August 18, 2020 | Edited by ImportBot | import existing book |
February 28, 2020 | Edited by MARC Bot | remove fake subjects |
July 30, 2019 | Edited by MARC Bot | associate edition with work OL5827435W |
December 10, 2009 | Created by WorkBot | add works page |