We first meet Stephen as he is riding through a forest in Northumbria in A.D. 674. Nearly ambushed in a trap set by King Aella, who is at war with Stephen's father, the King of Deira, he is saved by Aella's son. The two princes feel a curious and instant friendship - but as a result, Stephen is eventually ordered by his father to the torture chamber in an attempt to discover what information or treachery has passed between them. As he slips into merciful unconsciousness on the rack we are transported to the year 1822, into the home of twelve year-old Margery and her brother Peter, where Margery is exclaiming : "There is a boy in the grate behind the pianoforte. A boy. Mama, and he is as real as real." It is Stephen, still in his seventh-century garb. The whole family, particularly young Margery, takes him into their hearts, and he becomes an integral part of their lives. But he does keep disappearing for long intervals, followed by sudden reappearances. Like a haunting fugue in music, the two eras meet and blend and separate. Throughout, the different customs, life styles, beliefs, the surrounding country- side are vividly portrayed. All the people involved in the plot - and there is a plot, and a most suspenseful one - become very real and very fascinating to the reader. The Vision of Stephen is quite unlike any recent novel: probably its nearest counterpart is T. H. White's The Once and Future King. If you would like to be transported. however briefly, from our own troublous times, this enchanting novel offers a dazzling voyage into another and magical world.