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Linking the court poetry of the classical period and the haiku poetry of the modern period, the renga and haikai which constitute Japanese linked poetry are important in Japanese literature. The first half of this book presents linked poetry's principles and its placement in the history of Japanese literature as well as the context of world literature. The second analizes of two renga sequences involving Sōgi and four haikai sequences, three of which involve Bashō, and the fourth, Buson. (from back cover copy)
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Japanese Linked Poetry: An Account With Translations of Renega and Haikai Sequences
July 1980, Princeton Univ Pr, Princeton University Press
Paperback
0691013683 9780691013688
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Book Details
First Sentence
"From about the thirteenth through the nineteenth centuries, Japanese poets practiced several versions of linked poetry."
Table of Contents
Preface, vii
Acknowledgements, xiii
Abbreviated References and Other Explanations, xvii
. Part One: Linked Poetry, Its History, Cannons and Major Poets
1: Linked Poetry in Japanese Literature, 3
2: Some Principal Renga Poets, 19
3: Some Canons of Renga, 58
4: From Renga to Haikai and Haiku, 86
5: The Haikai Aesthetic of Bashō and Buson, 111
6: Some Canons of Haikai, 132
7: Distinctive Features of Linked Poetry, 140
Figures, 161
. Part Two: Two Renga Sequences
1: <i>One Hundred Stanzas by Three Poets at Minase</i>, Sōgi, Shōhaku, and Sōchō, 171
2: <i>A Hundred Stanzas Related to "Person" by Sōgi Alone</i>, 227
. Part Three: Four Haikai Sequences
1: <i>Even the Kite's Feathers</i>, Kyorai, Bashō, Bonchō, and Fumikunhi, 277
2: <i>Throughout the Town</i>, Bonchō, Bashō, and Kyorai, 298
3: <i>At the Tub of Ashes</i>, Bonchō, Bashō, Yasui, and Kyorai, 316
4: <i>Peony Petals Fell</i>, Buson and Kitō, 337
Glossary, 361
Index, 369
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