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"Jennifer Kramer undertook participant observation at Nuxalk artists' studios, in the Nuxalk-run band school's cultural education classes, and during the everyday activities of Nuxalk in their homes. She charts the fluid character of tangible material culture (such as masks and othe regalia) and intangible material culture (such as songs and dances) as they moved in and out of the cultural education curriculum, the Western art market, and the Western legal system. In addition, Kramer analyzes the ambivalent reactions of the Nuxalk to ownership, appropriation, and repatriation of their culture. The Nuxalk oscillate between essential stances, a process Kramer likens to "switchbacks" on a mountain road. Through these recurrent movements they create, recreate, and validate contemporary Nuxalk identity."--BOOK JACKET
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Previews available in: English
Subjects
Bella Coola Indians, Bella Coola art, Cultural property, Ethnic identity, Material culture, Repatriation, Canada, ethnic relations, Canada, social life and customs, Cultural property, protection, Bella Coola (Indiens), Identité ethnique, Culture matérielle, Art bella coola, Biens culturels, Restitution, Nuxalk Indians, Nuxalk artEdition | Availability |
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1
Switchbacks: Art, Ownership, and Nuxalk National Identity
2011, University of British Columbia Press
in English
0774841303 9780774841306
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3
Switchbacks: Art, Ownership, and Nuxalk National Identity
2007, University of British Columbia Press
in English
0774855258 9780774855259
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4
Switchbacks: Art, Ownership, and Nuxalk National Identity
February 15, 2007, UBC Press
Paperback
in English
0774812281 9780774812283
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5
Switchbacks: Art, Ownership And Nuxalk National Identity
March 2006, Univ of British Columbia Pr
Hardcover
in English
0774812273 9780774812276
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6
Switchbacks: art, ownership, and Nuxalk national identity
2006, UBC Press
in English
0774812273 9780774812276
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Book Details
Edition Notes
Includes bibliographical references (p. [137]-146) and index.
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