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A selection from of 290 drawings made by Guillermo Rioux with black ink pen in several personal notebooks between August 2015 and December 2017 and which gives an account of his vision of the world and of life from the moment he returns home after a prolonged stay in a sanatorium.
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Subjects
Argentine Watercolor painting, Artists, Biography, Catalogs, Exhibitions, Watercolor painting, Art, catalogsPeople
Guillermo RouxPlaces
ArgentinaTimes
20th centuryEdition | Availability |
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01
Guillermo Roux: diario gráfico : Museo Nacional de Bellas Artes, Casa Central de la Cultura Popular Villa 21-24
2018, M Bellas Artes
in Spanish
9871428405 9789871428403
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02
Guillermo Roux: MNBA, Museo Nacional de Bellas Artes, Buenos Aires.
1998, Edizioni d'Arte Fratelli Pozzo
in Spanish
987972321X 9789879723210
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03
Guillermo Roux
1996, Guillermo Roux Editor, Rizzoli
in Spanish
- 2. ed. en español
9879723201 9789879723203
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04
Guillermo Roux
1996, Rizzoli, Rizzoli International Publications, Incorporated
in English
0847819663 9780847819669
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05 |
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06 |
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07 |
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08
Guillermo Roux: vingt peintures a tempera 1986-1987. Feuilles dérobées au rien
1987, Galerie Jeanne-Bucher
in French
2855620260 9782855620268
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09
Guillermo Roux: le corps projeté. Le roman du double
1985, Galerie J. Bucher
in French
285562018X 9782855620183
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Book Details
Table of Contents
Edition Notes
Catalog of an exhibition held at Museo Nacional de Bellas Artes and Casa Central de la Cultura Popular Villa 21-24 in Barracas, April-June 2018.
"Este libro acompañó la exhibición "Diario Gráfico" de Guillermo Roux, presentada entre abril y junio de 2018 en el Museo Nacional de Bellas Artes y en la Casa Central de la Cultura Popular Villa 21-24 de Barracas. Se reproducen aquí una selección de imágenes de los doce cuadernos de dibujos compuestos en birome sobre papel entre 2015 y 2017"--Colophon.
Includes bibliographical references.
Texts in Spanish and English.
Classifications
The Physical Object
ID Numbers
Work Description
Guillermo Roux, whose paintings are represented in museums and private collections around the globe, has experienced a meteoric rise in the international art world over the past two decades. This volume is a comprehensive survey of the ever-changing oeuvre of Argentina's foremost living artist, as well as a chronicle of his colorful life and how its influences have honed his sharp, surreal perspective.
These pages display the fruits of his constant experimentation - they abound with watercolor still lifes, portraiture, and landscapes populated with lively figures, alongside his oils and vibrant collages. Roux burst onto the international scene in 1975, when he won the prestigious First International Prize of the XIII Biennale in Sao Paulo, Brazil.
As his work grew in depth and scope, his reputation expanded and his personal style evolved. Over the decades, his unique, surrealist vision emerged, further establishing Roux as one of this century's most innovative artistic minds. Exhibitions in Munich, Paris, and New York, as well as a 1988 one-person show of fifty works at the Phillips Collection in Washington, D.C., solidified Roux's presence on the global art scene.
Noted art critic Judd Tully chronicles this evolution, while Roux reveals his own personal struggles with, and eventual domination of, idea and form. Guillermo Roux is published to coincide with a major retrospective in the Museo de Bellas Artes in Buenos Aires, as well as an upcoming exhibition at The Marlborough Gallery in New York.
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