A invenção de Hélio Oiticica
by Celso F. Favaretto
"Oiticica often said that his pieces were nonprogrammed programs or 'programs in progress.' He represents the most fertile example of experimentalism in Brazilian art from 1950s-70s. Favaretto's approach to his work combines broad information with deep esthetic evaluations of Oiticica's paintings, environmental art, audio-visual and cinematic experiments, special structures, behavioral propositions from the delirious to conceptual lucidity, to his highly personal reinvention of 20th-century art. Details Oiticica's seminal influence on Brazilian postmodernism. Includes valuable bibliography and many illustrations in b/w and color. The most comprehensive study of the artist to date"--Handbook of Latin American Studies, v. 58.
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Subjects
Conceptual art, Criticism and interpretation, Education, Research, Methodology, Brazilian ArtPeople
Hélio Oitocica (1937-1980)Places
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Book Details
Edition Notes
Includes bibliographical references (p. [227]-231).
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from Tayná Cardel
History
- Created April 1, 2008
- 7 revisions
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| July 21, 2024 | Edited by MARC Bot | import existing book |
| November 18, 2020 | Edited by MARC Bot | import existing book |
| November 16, 2020 | Edited by MARC Bot | import existing book |
| April 16, 2010 | Edited by bgimpertBot | Added goodreads ID. |
| April 1, 2008 | Created by an anonymous user | Imported from Scriblio MARC record |