MARC Record from Library of Congress

LEADER: 01618cam a2200265 a 4500
001 93831790
003 DLC
005 20021206094555.0
008 930929s1992 bl a b s000 0 por
010 $a 93831790
020 $a8531400651
020 $a8531400627
040 $aDLC$cDLC$dDLC
043 $as-bl---
050 00 $aN6659.O35$bF38 1992
100 1 $aFavaretto, Celso F.$q(Celso Fernando),$d1941-
245 12 $aA invenção de Hélio Oiticica /$cCelso Favaretto.
260 $aSão Paulo, SP, Brasil :$bEdusp :$bFAPESP,$cc1992.
300 $a234 p. :$bill. (some col.) ;$c23 cm.
440 0 $aTexto & arte ;$v6
504 $aIncludes bibliographical references (p. [227]-231).
520 1 $a"Oiticica often said that his pieces were nonprogrammed programs or 'programs in progress.' He represents the most fertile example of experimentalism in Brazilian art from 1950s-70s. Favaretto's approach to his work combines broad information with deep esthetic evaluations of Oiticica's paintings, environmental art, audio-visual and cinematic experiments, special structures, behavioral propositions from the delirious to conceptual lucidity, to his highly personal reinvention of 20th-century art. Details Oiticica's seminal influence on Brazilian postmodernism. Includes valuable bibliography and many illustrations in b/w and color. The most comprehensive study of the artist to date"--Handbook of Latin American Studies, v. 58.$uhttp://www.loc.gov/hlas/
600 10 $aOitocica, Hélio,$d1937-1980$xCriticism and interpretation.
650 0 $aConceptual art$zBrazil.
700 1 $aOiticica, Hélio,$d1937-1980.