Check nearby libraries
Buy this book
By investigating the important figures who were close to the painter Nicolas Poussin (1594-1665), Elizabeth Cropper and Charles Dempsey allow the reader to enter not only the Rome where he lived but also the Rome of antiquity, which he admired and tried to reconstruct.
The authors argue that Poussin's works were structured by his friendships, as well as by his study of ancient history and early Christian archaeology, his exploration of the poetry and mystery of ancient places, and his conception of his paintings as gifts rather than commercial objects.
By looking into this rich background, they also show how Poussin introduced into his theory and practice of painting a new concept of the inherent expressiveness of form that was quite different from the then prevailing conventions for depicting the passions and affections.
Check nearby libraries
Buy this book
Previews available in: English
Edition | Availability |
---|---|
1
Nicolas Poussin: friendship and the love of painting
1996, Princeton University Press
in English
069104449X 9780691044491
|
aaaa
|
Book Details
Edition Notes
Includes bibliographical references (p. [347]-362) and index.
Classifications
External Links
The Physical Object
ID Numbers
Community Reviews (0)
Feedback?History
- Created April 1, 2008
- 15 revisions
Wikipedia citation
×CloseCopy and paste this code into your Wikipedia page. Need help?
July 19, 2024 | Edited by MARC Bot | import existing book |
December 4, 2022 | Edited by ImportBot | import existing book |
October 15, 2022 | Edited by ImportBot | import existing book |
November 20, 2020 | Edited by MARC Bot | import existing book |
April 1, 2008 | Created by an anonymous user | Imported from Scriblio MARC record |