An edition of The creative director (1987)

The creative director

alternative rehearsal techniques

3rd ed.
The creative director
Edward S. Lisk, Edward S. Lisk
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Last edited by WorkBot
December 15, 2009 | History
An edition of The creative director (1987)

The creative director

alternative rehearsal techniques

3rd ed.

This edition doesn't have a description yet. Can you add one?

Publish Date
Language
English
Pages
221

Buy this book

Previews available in: English

Edition Availability
Cover of: The Creative Director
The Creative Director: Conductor, Teacher, Leader
January 1, 2007, Meredith Music
Paperback in English
Cover of: The creative director
The creative director: beginning and intermediate levels
2001, Meredith Music Publications, Sales & distribution, Hal Leonard
in English
Cover of: The Creative Director
The Creative Director: Alternative Rehearsal Techniques
March 1, 2000, Meredith Music
Paperback in English - Student edition
Cover of: The Creative Director
The Creative Director: Alternative Rehearsal Techniques
March 1, 2000, Meredith Music
Paperback in English
Cover of: The Creative Director
The Creative Director: Alternative Rehearsal Techniques
March 1, 2000, Meredith Music
Paperback in English - 3 edition
Cover of: The creative director
The creative director: intangibles of musical performance
1996, Meredith Music Publications
in English
Cover of: The creative director
The creative director: alternative rehearsal techniques : teaching accessories
1994, Meredith Music Publications
in English
Cover of: The creative director
Cover of: The creative director
The creative director: alternative rehearsal techniques
1991, Meredith Music Publications
in English - 3rd ed.
Cover of: The creative director

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Book Details


Edition Notes

Bibliography, p. 219-210.

Published in
Fort Lauderdale

The Physical Object

Pagination
x, 221 p. :
Number of pages
221

ID Numbers

Open Library
OL13841788M

Excerpts

The system of rehearsal techniques in this method allows the band director to improve rehearsal efficiency through a more effective learning environment with access to the students' fullest musical potential.
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