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"This book tells how Hammer Films commissioned composers at the cutting edge of European musical modernism to write their movie scores, introducing the avant-garde into popular culture via the enormously successful venue of horror film. Each chapter addresses a specific category of the avant-garde musical movement"-- Provided by publisher.
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Previews available in: English
Showing 2 featured editions. View all 2 editions?
Edition | Availability |
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1
Hammer Film Scores and the Musical Avant-Garde
2008, McFarland & Company, Incorporated Publishers
in English
0786451661 9780786451661
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2
Hammer film scores and the musical avant-garde
2008, McFarland & Co.
in English
0786434562 9780786434565
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Book Details
Table of Contents
Maestros : John Hollingsworth, Marcus Dodds and Philip Martell
The horror from Vienna : Arnold Schoenberg
Serial killer : Benjamin Frankel
Modified modernism : Humphrey Searle and Elisabeth Lutyens
The uncanny : Richard Rodney Bennett
Romantics : Harry Robinson and James Bernard
Prehistoric modernism : Mario Nascimbene and Tristram Cary
Australian menace : Don Banks and Malcolm Williamson
Modern gothic : Mike Vickers and John Cacavas
Catching up with the future : Paul Glass
Television terror : John McCabe, Paul Patterson and David Bedford.
Edition Notes
Includes bibliographical references, discography, and index.
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- Created September 26, 2008
- 14 revisions
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November 28, 2023 | Edited by MARC Bot | import existing book |
July 19, 2023 | Edited by ImportBot | import existing book |
March 7, 2023 | Edited by MARC Bot | import existing book |
December 27, 2022 | Edited by MARC Bot | import existing book |
September 26, 2008 | Created by ImportBot | Imported from Library of Congress MARC record |