MARC Record from Library of Congress

LEADER: 01880cam a22002774a 4500
001 2008016260
003 DLC
005 20100911082302.0
008 080409s2008 ncua bk 001 0 eng
010 $a 2008016260
020 $a9780786434565 (softcover : alk. paper)
040 $aDLC$cDLC$dDLC
050 00 $aML2075$b.H83 2008
082 00 $a781.5/42$222
100 1 $aHuckvale, David.
245 10 $aHammer film scores and the musical avant-garde /$cDavid Huckvale.
260 $aJefferson, N.C. :$bMcFarland & Co.,$cc2008.
300 $aix, 225 p. :$bill. ;$c23 cm.
504 $aIncludes bibliographical references (p. 213-214), discography (p. 211), and index.
505 0 $aMaestros : John Hollingsworth, Marcus Dodds and Philip Martell -- The horror from Vienna : Arnold Schoenberg -- Serial killer : Benjamin Frankel -- Modified modernism : Humphrey Searle and Elisabeth Lutyens -- The uncanny : Richard Rodney Bennett -- Romantics : Harry Robinson and James Bernard -- Prehistoric modernism : Mario Nascimbene and Tristram Cary -- Australian menace : Don Banks and Malcolm Williamson -- Modern gothic : Mike Vickers and John Cacavas -- Catching up with the future : Paul Glass -- Television terror : John McCabe, Paul Patterson and David Bedford.
520 $a"This book tells how Hammer Films commissioned composers at the cutting edge of European musical modernism to write their movie scores, introducing the avant-garde into popular culture via the enormously successful venue of horror film. Each chapter addresses a specific category of the avant-garde musical movement"-- Provided by publisher.
650 0 $aMotion picture music$xHistory and criticism.
650 0 $aAvant-garde (Music)
650 0 $aHorror films$xHistory and criticism
610 20 $aHammer Film Productions.
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/toc/ecip0815/2008016260.html