The thief, the Cross, and the wheel
pain and the spectacle of punishment in medieval and Renaissance Europe
by Mitchell B. Merback
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"Christ's Crucifixion is one of the most recognized images in Western visual culture, and it has come to stand as a universal symbol of both suffering and salvation. But often overlooked in this symbolic language is the fact that ultimately the Crucifixion is a scene of capital punishment. In The Thief, the Cross and the Wheel, Mitchell Merback reconstructs the religious, legal, and historical context of the Crucifixion and of other images of public torture.
The result is an account of a time when criminal justice and religion were entirely interrelated and punishment was a visual spectacle devoured by a popular audience."--BOOK JACKET.
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Subjects
Violence in art, Renaissance Art, Art, Art, Medieval, Executions and executioneers in art, Medieval Art, Torture in art, Executions and executioners in art, Crucifixion, Art, Renaissance, Jesus christ, crucifixion, Violence, religious aspects, Executions and executioners, Jesus christ, artPeople
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Book Details
Edition Notes
Includes bibliographical references and index.
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First Sentence
"The scene is a place of execution (illus. I)."
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from Fabienne Reault
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Thesis
from Fabienne Reault
History
- Created October 20, 2008
- 4 revisions
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| August 18, 2010 | Edited by IdentifierBot | added LibraryThing ID |
| April 16, 2010 | Edited by bgimpertBot | Added goodreads ID. |
| December 15, 2009 | Edited by WorkBot | link works |
| October 20, 2008 | Created by ImportBot | Imported from University of Toronto MARC record |