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Director and filmmaker of Silent Movies who later worked in America, Sergei Eisenstein discusses the idea of montage in Russian Film and its compositional differences with films of D. W. Griffith
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Reprinted by arrangement with Harcourt, Brace from two different volumes 'Film Form', 1949, and the new revised edition, 1947, of 'The Film Sense'.
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October 26, 2008 | Created by ImportBot | Imported from Talis record |