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A fascination with the "primitive" lies at the heart of some of the most influential developments in Western art produced between 1890 and 1950 - a time that witnessed both the "heroic" period of modern art and the apogee and decline of the West's colonial power. Many groups have a times been labeled as primitive, including the so-called tribal peoples from Africa, Oceania and North America, but also prehistoric cultures, European peasants, the insane and children.
Through the lens of their own society, many modern artists looked both to the art and to the world-view of the primitive as a means of challenging established beliefs, but the primitive to which they turned was as varied as the movements in modern art of which they were a part. Colin Rhodes breaks new ground, drawing on a wide and diverse range of material, from high art to popular entertainment, from Darwin to Freud; the critical overview he presents supersedes all previous studies on the subject.
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Primitivism and modern art
1994, Thames and Hudson, Thames & Hudson
in English
0500202761 9780500202760
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Book Details
Edition Notes
Includes bibliographical references (p. 203-206) and index.
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The Physical Object
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- Created November 7, 2008
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August 19, 2010 | Edited by IdentifierBot | added LibraryThing ID |
April 16, 2010 | Edited by bgimpertBot | Added goodreads ID. |
December 8, 2009 | Edited by ImportBot | link works |
November 7, 2008 | Created by ImportBot | Imported from The Laurentian Library MARC record |