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From Library Journal: For Borges (1899-1986), the central fact of life was the existence of words and their potential as building blocks of poetry. In this series of six long-forgotten lectures given at Harvard more than 30 years ago, he insists that reading (in English, primarily) gave him more pleasure than writing. Most of his examples are taken from English-speaking writers, such as Shakespeare, Keats, Byron, Whitman, and Frost. Borges developed a passion for the study of Old English, with its abundant metaphors, harsh beauty, and deep feeling (though not, he admits, for its deep thought). He dislikes the history of literature, which he feels demeans individual works, and he is generally wistful for a future when we are no longer overburdened by history. He champions the primacy of storytelling and prefers the epic to the novel, which he finds "padded." He also argues that one of the great poverties of our time is that we no longer believe in happiness and success and that happy endings seem commercial or staged. Some of his ideas are quirky, but it's still a privilege to have access to one of the most distinctive literary voices of the century. - Copyright 2000 Reed Business Information, Inc.
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This Craft of Verse (The Charles Eliot Norton Lectures)
March 30, 2002, Harvard University Press
Paperback
in English
0674008200 9780674008205
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This Craft of Verse
November 2000, Harvard University Press
CD-ROM
in English
0674005872 9780674005877
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Book Details
Edition Notes
Translation of: This craft of verse.
Lectures delivered as part of the Norton lecture series, Harvard University, 1967-1968.
Includes bibliographical references and index.
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- Created February 18, 2009
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December 7, 2020 | Edited by MARC Bot | import existing book |
July 14, 2019 | Edited by MARC Bot | import existing book |
August 19, 2010 | Edited by IdentifierBot | added LibraryThing ID |
April 16, 2010 | Edited by bgimpertBot | Added goodreads ID. |
February 18, 2009 | Created by ImportBot | Imported from San Francisco Public Library record |