The Tudor image
by Maurice Howard
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The splendid Tudor and early Stuart portraits that we see in great museums and country houses are the chief survivors of a much richer visual culture. Prints, tapestries, painted clothes, wall paintings, funeral monuments and coinage were all used at this time for the expression of powerful imagery, both state and individual. This book explores changes in the style and sophistication of images as the means by which men and women defined both public and private ideas about themselves.
As their self image changed, so did the techniques employed by artists to realise the ambitions of their patrons.
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Book Details
Edition Notes
"Published to accompany the Dynasties exhibition at the Tate Gallery ... "--T.p. verso.
Includes bibliographical references (p. 78) and index.
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History
- Created June 8, 2009
- 7 revisions
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| July 29, 2024 | Edited by MARC Bot | import existing book |
| December 10, 2022 | Edited by ImportBot | import existing book |
| August 21, 2021 | Edited by MARC Bot | import existing book |
| August 19, 2010 | Edited by IdentifierBot | added LibraryThing ID |
| June 8, 2009 | Created by ImportBot | Imported from Ithaca College Library MARC record |