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The splendid Tudor and early Stuart portraits that we see in great museums and country houses are the chief survivors of a much richer visual culture. Prints, tapestries, painted clothes, wall paintings, funeral monuments and coinage were all used at this time for the expression of powerful imagery, both state and individual. This book explores changes in the style and sophistication of images as the means by which men and women defined both public and private ideas about themselves.
As their self image changed, so did the techniques employed by artists to realise the ambitions of their patrons.
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Previews available in: English
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Book Details
Edition Notes
Includes bibliographical references (p. 78) and index.
"Published to accompany the Dynasties exhibition at the Tate Gallery"--T.p. verso.
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The Physical Object
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- Created April 1, 2008
- 4 revisions
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November 25, 2020 | Edited by MARC Bot | import existing book |
July 30, 2010 | Edited by IdentifierBot | added LibraryThing ID |
December 11, 2009 | Edited by WorkBot | link works |
April 1, 2008 | Created by an anonymous user | Imported from Scriblio MARC record |