An edition of Film 1900
(2009)
Film 1900
technology, perception, culture
by Klaus Kreimeier and Annemone Ligensa
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Subjects
Motion pictures, History, Motion pictures, historyTimes
20th century| Edition | Availability |
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1
Film 1900: technology, perception, culture
2009, John Libbey, Distributed in North America by Indiana University Press
in English
0861966961 9780861966967
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Libraries near you:
WorldCat
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2
Film 1900: Technology, Perception, Culture
2009, Indiana University Press
in English
0861969162 9780861969166
|
zzzz
Libraries near you:
WorldCat
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3
Film 1900: technology, perception, culture
2009, John Libbey, Distributed in North America by Indiana University Press
in English
0861966961 9780861966967
|
cccc
Libraries near you:
WorldCat
|
|
4
Film 1900: technology, perception, culture
2009, John Libbey, Distributed in North America by Indiana University Press
in English
0861966961 9780861966967
|
zzzz
Libraries near you:
WorldCat
|
Book Details
Table of Contents
Introduction: Triangulating a turn: film 1900 as technology, perception and culture / Annemone Ligensa
Archaeologies of interactivity: early cinema, narrative and spectatorship / Thomas Elsaesser
Viewing change, changing views: the 'history of vision'-debate / Frank Kessler
The ambimodernity of early cinema: problems and paradoxes in the film-and-modernity discourse / Ben Singer
Mind the gap: the discovery of physiological time / Henning Schmidgen
'Is everything relative?' : cinema and the revolution of knowledge around 1900 / Harro Segeberg
The aesthetic idealist as efficiency engineer: Hugo Münsterberg's theories of perception, psychotechnics and cinema / Jörg Schweinitz
Between observation and spectatorship: medicine, movies and mass culture in imperial Germany / Scott Curtis
The scene of the crime: psychiatric discourses on the film audience in early twentieth century German / Andreas Killen
Seen through the eyes of Simmel: the cinema programme as a 'modern' experience / Andrea Haller
'Under the sign of the cinematograph': urban mobility and cinema location in Wilhelmine Berlin / Pelle Snickars
Perceptual environments for films: the development of cinema in Germany, 1895-1914 / Joseph Garncarz
'Fumbling towards some new form of art?': the changing composition of film programmes in Britain, 1908-1914 / Ian Christie and John Sedgwick
The attraction of motion: modern representation and the image of movement / Tom Gunning
'Dashing down upon the audience': notes on the genesis of filmic perception / Klaus Kreimeier
German Tonbilder of the 1900s: advanced technology and national brand / Martin Loiperdinger
Sculpting with light: early film style, stereoscopic vision and the idea of a 'plastic art in motion' / Michael Wedel
'A cinematograph of feminine thought': The dangerous age, cinema and modern women / Annemone Ligensa
Cinema as a mode(l) of perception: Dorothy Richardson's novels and essays / Nicola Glaubitz.
Edition Notes
Includes bibliographical references.
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History
- Created February 3, 2010
- 2 revisions
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| July 30, 2019 | Edited by MARC Bot | associate edition with work OL18564564W |
| February 3, 2010 | Created by ImportBot | Imported from Library of Congress MARC record |