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From the book:Nicolo Machiavelli was born at Florence on 3rd May 1469. He was the second son of Bernardo di Nicolo Machiavelli, a lawyer of some repute, and of Bartolo-mmea di Stefano Nelli, his wife. Both parents were members of the old Florentine nobility. His life falls naturally into three periods, each of which singularly enough constitutes a distinct and important era in the history of Florence. His youth was concurrent with the greatness of Florence as an Italian power under the guidance of Lorenzo de' Medici, Il Magnifico. The downfall of the Medici in Florence occurred in 1494, in which year Machiavelli entered the public service. During his official career Florence was free under the government of a Republic, which lasted until 1512, when the Medici returned to power, and Machiavelli lost his office. The Medici again ruled Florence from 1512 until 1527, when they were once more driven out. This was the period of Machiavelli's literary activity and increasing influence; but he died, within a few weeks of the expulsion of the Medici, on 22nd June 1527, in his fifty-eighth year, without having regained office.
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Political science, early works to 1800, Machiavel, Nicolas, 1469-1527. Prince, Classic Literature, Fiction, Ouvrages avant 1800, Science politique, Morale politique, Political science, Early works to 1800, Political ethics, Italian literature, Contribution à la philosophie politique, Biographie, Politique et morale, Philosophie politique, Philosophie de la Renaissance, History, The Renaissance, Catholic Church, Church and State, Literature, Early works to 1700, Industrial management, Politics, Philosophy, Political leadership, Politics and government, Republicanism, The State, Translations into English, Utopias, Doctrines, Sources, Social contract, Reformation, Staatkunde, Monarchie, Readers, Italian language, Historiography, Literature in Spanish, Ética política, Ciencias políticas, Obras anteriores a 1800, Estado, Italian language materials, Management, Essays, Government, General, National, Reference, Principe (Machiavelli, Niccolò), Political science, philosophy, Large type books, Accessible book, Ciencias politicas, Education of princes, Italian Manuscripts, Facsimiles, Political science--Philosophy--Early works to 1800, Political ethics--Early works to 1800, State, The--Early works to 1800, State, the, Long Now Manual for Civilization, Heerschappij, Olasz, Allamelmelet, Machiavellizmus, Political sciences, Police ethics, Philosophy and ethics, Fiction, psychological, Comics & graphic novels, fantasy, Machiavelli, niccolo, 1469-1527, Principe (Machiavelli, Niccolò̀), Jun zhu zhi, Zheng zhi si xiang shi, Yan jiu, History and criticism, Power (social sciences), Monokratie, État, Machiavelli, Niccolò, Il principe, Staatskunst, Political science--early works to 1800, Jc143 .m38 1999b, 320.101, Jc143 .m38 1984, Jc143 .m38 1999, 320.1, Jc143 .m3813 1995, Rome, historiography, Interpersonal relations, Military art and science, Psychology, Kunshuseiji, Kings and rulers, Duties, Política, Philosophie, Princes, Monarchy, Politique et gouvernementShowing 15 featured editions. View all 1405 editions?
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The Prince
2013-12-12, CreateSpace Independent Publishing Platform
in English
1494461943 9781494461942
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Work Description
The Prince (Italian: Il Principe [il ˈprintʃipe]; Latin: De Principatibus) is a 16th-century political treatise written by Italian diplomat and political theorist Niccolò Machiavelli as an instruction guide for new princes and royals. The general theme of The Prince is of accepting that the aims of princes – such as glory and survival – can justify the use of immoral means to achieve those ends.
From Machiavelli's correspondence, a version appears to have been distributed in 1513, using a Latin title, De Principatibus (Of Principalities). However, the printed version was not published until 1532, five years after Machiavelli's death. This was carried out with the permission of the Medici pope Clement VII, but "long before then, in fact since the first appearance of The Prince in manuscript, controversy had swirled about his writings".
Although The Prince was written as if it were a traditional work in the mirrors for princes style, it was generally agreed as being especially innovative. This is partly because it was written in the vernacular Italian rather than Latin, a practice that had become increasingly popular since the publication of Dante's Divine Comedy and other works of Renaissance literature.
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- Created June 23, 2010
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April 22, 2022 | Edited by AgentSapphire | move to correct work |
April 22, 2022 | Edited by AgentSapphire | move to correct work |
April 30, 2011 | Edited by OCLC Bot | Added OCLC numbers. |
October 29, 2010 | Edited by WorkBot | merge works |
June 23, 2010 | Created by ImportBot | Imported from marc_overdrive MARC record |