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»Ich bin ein Jude. Hat nicht ein Jude Augen? Hat nicht ein Jude Hände, Gliedmaßen, Werkzeuge, Sinne, Neigungen, Leidenschaften? (…) Wenn ihr uns stecht, bluten wir nicht? Wenn ihr uns kitzelt, lachen wir nicht? Wenn ihr uns vergiftet, sterben wir nicht?«
»Shylock steht ganz klar, in schärfster Helle im Stück, und wir dürfen wohl (…) daran denken, daß Helle und Hölle das nämliche Wort ist.« (Gustav Landauer)
Shylock ist die wohl berühmteste jüdische Gestalt der Weltliteratur, William Shakespeares (1564–1616) »Der Kaufmann von Venedig« eines der wichtigsten Dramen der Literaturgeschichte, die Schlegel-Tiecksche Übersetzung seiner Stücke als Meisterwerk der deutschen Sprache kanonisch. Gründe genug, diesen Text in einer buchstabengetreuen, behutsam »unangepaßten« Fassung zu lesen.
Gustav Landauers (1870–1919) Vortrag »Der Kaufmann von Venedig« – erstmals 1917 in der von Martin Buber herausgegebenen Monatszeitschrift »Der Jude« erschienen – ist eine umfassende, einfühlsame Würdigung der stofflichen Problemstellungen des Dramas und der ästhetischen Leistungen Shakespeares.
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Previews available in: Spanish Dutch English Multiple languages Finnish Catalan French Yiddish
Subjects
Drama, Jews, Moneylenders, Shylock (Fictitious character), Juvenile drama, Plays, English literature, History and criticism, History, Problems, exercises, Criticism and interpretation, Sources, Bibliography, Promptbooks, English Young adult drama, Quartos, Study and teaching, Outlines, syllabi, Fiction, Study guides, Examinations, Jews in literature, English drama, English drama (Comedy), Drama in English Shakespeare, William - Texts, English literature: Shakespeare criticism, English literature: Shakespeare texts, Plays / Drama, Literary Criticism, Shakespeare, For National Curriculum Key Stage 3, Venice (Italy), Juvenile literature, Concordances, Venecia (Italia), Prestamistas, Teatro, Judíos, Nonfiction, British and irish drama (dramatic works by one author), Shakespeare, william, 1564-1616, merchant of venice, Shakespeare, william, 1564-1616, juvenile literature, Shakespeare, william, 1564-1616, adaptations, Merchant of Venice (Shakespeare, William), Education, English literature, study and teaching, Shakespeare, william, 1564-1616, criticism and interpretation, Drama (dramatic works by one author), English literature, outlines, syllabi, etc., Shakespeare, william, 1564-1616, outlines, syllabi, etc., Outlines, syllabi, Problems, exercises, Dramatic production, Stage history, Comedies, Humorous plays, Study and teaching (Secondary), Secondary Education, Shakespeare, William, 1564-1616, Criticism, Jewish merchants, Readers for new literates, Shakespeare, william, 1564-1616, study and teaching, Mathematics, study and teaching, Shakespeare, william, 1564-1616, criticism, textual, English literature, history and criticism, early modern, 1500-1700, Theater, Production and direction, Stage management, Théâtre, Production et mise en scène, Régie (Théâtre), English drama, history and criticism, Merchants, In literature, Comedy, Readers, Portia (Fictitious character : Shakespeare), Shakespeare, william , 1564-1616, Moneylenders--drama, Jews--italy--venice--drama, Shylock (fictitious character)--drama, Pr2825.a2 d75 2010, 822.33Places
Venice (Italy), Italy, Venice, Italia, VeneciaShowing 21 featured editions. View all 771 editions?
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The merchant of Venice: Il mercante di Venezia
2014, Einaudi
in Multiple languages
8806218220 9788806218225
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Nlss: Merchant of Venice Paper
2000, Pearson Education Australia
in English
0582427134 9780582427136
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Book Details
Table of Contents
Edition Notes
also includes: Gustav Landauer: Der Kaufmann von Venedig – ein Vortrag
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Work Description
In this lively comedy of love and money in sixteenth-century Venice, Bassanio wants to impress the wealthy heiress Portia but lacks the necessary funds. He turns to his merchant friend, Antonio, who is forced to borrow from Shylock, a Jewish moneylender. When Antonio's business falters, repayment becomes impossible--and by the terms of the loan agreement, Shylock is able to demand a pound of Antonio's flesh. Portia cleverly intervenes, and all ends well (except of course for Shylock).
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- Created February 22, 2019
- 9 revisions
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November 28, 2021 | Edited by Gustav-Landauer-Bibliothek Witten | toc, details |
August 22, 2020 | Edited by ISBNbot2 | normalize ISBN |
June 27, 2020 | Edited by lisaBot | moving edition(s) to primary work |
June 3, 2020 | Edited by Lisa | Merge works |
February 22, 2019 | Created by Gustav-Landauer-Bibliothek Witten | Added new book. |